Le Figaro Magazine
« Un mélange de force et de grâce charnelle. »
The performance has been canceled and will be postponed to the next season.
The boxing ring becomes a stage for dancers who take turns in fighting and reconciling – all to the live music of the Debussy Quartet. In each round the violins drive the dancers’ steps, from airy capoeira to rhythmic hip-hop. Breathtaking!
Following on from the popular success of Boxe Boxe (performed to an audience of 130,000 spectators), Mourad Merzouki once again dons his boxing gloves to create a universe in which poetry and humour, classic music and Brazilian dance all join together.
« Un mélange de force et de grâce charnelle. »
« Un poétique corps-à-corps entre la boxe et le hip-hop. Le résultat est bluffant : les morceaux choisis prennent aux tripes et collent parfaitement à la dynamique des enchaînements de mouvements. »
« Duos fraternels ou de combat, soles enchaînant des figures époustouflantes, danses effrénées autour de punching-ball sont rythmés par les cordes du Quatuor jouant des oeuvres des compositeurs brésiliens Heitor Villa-Lobos ou Antonio Carlos Jobim ou de l'Argentin Aster Piazzolla. Et ce pour le plus grand bonheur du public. »
With their hilarious choreography, the Ben Aïm brothers take a fresh look at the absurdity of our everyday life. Could it be that it is precisely this lightness of humour that enables us to see our reality with new powers of imagination?
A cat and mouse chase between choreographer Jean Guillaume Weis and composer Pascal Schumacher. They bring bodies and instruments into dialogue in infinite variations.
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