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Do you want to get involved in what we do? Become a promoter of the Escher Theater! Our team will arrange for you to attend selected rehearsals, as well as a range of theatre highlights. With so many different shows on offer, you’ll have no difficulty in alerting your circle of friends and acquaintances to our varied programme and passing on to them, in a myriad of ways, your experience of our activities.
Contact : rp.theatre@villeesch.lu
Ima means “the present moment” in Japanese and “mother” in Hebrew, associated with the idea of rebirth and renewal. Presented at the Venice Biennale, this intense and fiery choreography is an invitation to let go.
Halfway between urban dances and classical ballet, this majestic choreography for 15 dancers addresses the vital, irrepressible and happy need to dance.
Around Frankenstein, we are holding two theatre workshops for adults and children.
La compagnie Karyatides propose une nouvelle adaptation de l’œuvre originale de Mary Shelley, mêlant théâtre d’objet, musique, beauté gothique et humour subtil.
Finalists of France’s Got Talent, 13 acrobats from Conakry, in Guinea, show us the importance of water (“yé” in Soussou) and the consequences of its increasing scarcity.
In this show full of fury, tenderness and life, 10 dancers throw themselves into the fray and give in– for better or for worse? – to their pack instinct.
Qu’on en parle ouvertement ou par métaphores, c’est là partout et tout le temps : « LES RÈGLES ». Ce spectacle est un moment de lâcher-prise collectif où on décide que tout peut être abordé, dit et entendu.
Autour du spectacle Les jours de la lune, nous vous proposons un atelier de bien-être et d’expression corporelle.
After Dans l’Engrenage, the Dyptik company is back with a festive and cathartic show that takes 9 dancers into a mind-bending collective trance.
In this retrospective of their best acts, the famous mime and object theater company achieves the rare feat of getting everyone to agree, children and adults alike.
Alongside the show Makom, the Vertigo dance company invites you into its world through a contemporary dance workshop.
In a world where everyone looks for a safe position, company Vertigo Dance, based in Jerusalem, develops an artistic universe conjuring up coming together and openness, as opposed to walls and isolation.
With an inimitable mime artistry and tours all around the world, German company Familie Flöz gives life, without a word, to a tale without any bittersweet words, where magic occurs.
Wieso verabreden sich zwei junge Menschen zum gemeinsamen Freitod? norway.today sucht nach Antworten auf diese dunkle, traurige Frage. Das weltweit erfolgreiche Stück von Igor Bauersima erstmals im Escher Theater!
The dancers from the Paradox-sal collective, who perform One Shot, will be giving an introduction to house dance.
Playful and combative, 8 women launch into impertinent solos or become one. With the exhilarating energy of “battles”, they state their singularity loud and clear.
Habillé de pudeur, d’humour et de trouvailles visuelles fabuleuses, ce spectacle autobiographique porte un regard intime et salutaire sur le passé colonial de la Belgique et d’ailleurs.
En parallèle de la pièce Ouverture des Hostilités, Marie Devroux et Ferdinand Despy proposent un atelier invitant à envisager un futur désirable.
A « flamenco phenomenon » according to the New York Times, winner of the National dance prize in Spain, Jesús Carmona dances with vigor and passion on the edge of a masculinity to deconstruct.
Juste du foot ? Lila est née en France. Le Maroc, dont est originaire sa famille, est pour elle une toile de fond un peu lointaine. Pourtant, quand vient l’heure du choix, elle décide de porter le maillot des Lionnes de l’Atlas…
Shakespeare is a permanent fixture in the canon of world literature – and Daddy Issues attacks this status head-on. Things are about to get serious, raucous, critical, and also very loud.
With 10 dancers, The Game – Grand Finale explores the theme of play to experiment with new ways of being in the world, alone, but above all as a group.
Dans ce spectacle pensé comme un entraînement pour muscler nos imaginaires à la possibilité de changement, les utopies dont nous rêvons pourraient bien sembler réalisables.
Permettre aux jeunes de découvrir le spectacle vivant par la pratique artistique, telle est la raison d’être de PATE.
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