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Escher Theater stands up for every person’s autonomy by offering an adapted welcome to people with disabilities. No matter what your situation is, we are at your disposal and we encourage you to report your constraints when you book your ticket at the ticket office to benefit from information and advice on the shows.
Our facilities are equipped to receive you. There are two PMR (people with reduced mobility) spots in each of our two auditoriums. Elevators and access ramps also allow for a free circulation within the building. Guide dogs are authorized in both auditoriums. There are binoculars available at the Theater’s ticket office and Ariston’s front desk. Both Escher Theater auditoriums are equipped with a magnetic loop and there are headsets available upon reservation.
There are several shows available as is to blind or visually impaired audience or deaf or hearing impaired audience:
Around Viertel vor Nacht, we offer a workshop of games and theatrical improvisations. Parents and children can have fun together and share a moment of creativity and discovery of the theatre.
Around Frankenstein, we are holding two theatre workshops for adults and children.
Autour de Dat klengt Meedchen aus dem Mier /La petite fille de la mer, nos médiatrices vous proposent un atelier de jeux et d'improvisations théâtrales.
Autour du spectacle Les jours de la lune, nous vous proposons un atelier de bien-être et d’expression corporelle.
Around D'Prinzessin op der Ierbes, we offer a workshop of games and theatrical improvisations. Parents and children can have fun together and share a moment of creativity and discovery of the theatre.
The dancers from the Paradox-sal collective, who perform One Shot, will be giving an introduction to house dance.
Around The Game - Grand Finale, take part in a contemporary dance workshop for all levels.
Gone are the long hair, the devilish tattoos and the raised sign of the horns. The Harmonie municipale d'Esch/Alzette makes way for another form of heavy metal: the tuba.
Under the baton of Gast Waltzing, singer Paula Morelenbaum and the Orchestre National de Jazz celebrate bossa nova, capturing the sunny, languorous spirit of Brazilian culture.
Among some other musical masterpieces of cinema, this concert makes us experience again the relentless enthusiasm of George Gershwin, the brilliant American composer of the 1920s.
Mat hirem Programm Anplackt besënnen sech de Serge Tonnar an seng Band musikalesch an thematesch op dat Fundamentaalt. Akustesch Kläng treffen op Texter, déi d’Grondsätz vun eiser Gesellschaft viséieren.
Ima means “the present moment” in Japanese and “mother” in Hebrew, associated with the idea of rebirth and renewal. Presented at the Venice Biennale, this intense and fiery choreography is an invitation to let go.
With fabulous visual concepts, company Florschütz & Döhnert gives birth to worlds between dream and reality, where surprising beings have lives of their own that have been unsuspected until now.
Halfway between urban dances and classical ballet, this majestic choreography for 15 dancers addresses the vital, irrepressible and happy need to dance.
Finalists of France’s Got Talent, 13 acrobats from Conakry, in Guinea, show us the importance of water (“yé” in Soussou) and the consequences of its increasing scarcity.
A crazy, funny and acrobatic round dance, this dashing and whirling ballet of feathered feet explore the links that have bound us to domestic animals for millennia.
In this show full of fury, tenderness and life, 10 dancers throw themselves into the fray and give in– for better or for worse? – to their pack instinct.
After Dans l’Engrenage, the Dyptik company is back with a festive and cathartic show that takes 9 dancers into a mind-bending collective trance.
In this retrospective of their best acts, the famous mime and object theater company achieves the rare feat of getting everyone to agree, children and adults alike.
In a world where everyone looks for a safe position, company Vertigo Dance, based in Jerusalem, develops an artistic universe conjuring up coming together and openness, as opposed to walls and isolation.
With an inimitable mime artistry and tours all around the world, German company Familie Flöz gives life, without a word, to a tale without any bittersweet words, where magic occurs.
Playful and combative, 8 women launch into impertinent solos or become one. With the exhilarating energy of “battles”, they state their singularity loud and clear.
With 10 dancers, The Game – Grand Finale explores the theme of play to experiment with new ways of being in the world, alone, but above all as a group.
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